Essays and revisited documents that open new perspectives on the thinking and methodologies of fundamental authors for the relations between art and education at different points in history.
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12/06/2022
ESSAYS
Implicit in Valcárcel's proposal for a movement that summons creativity to contribute to the construction of a more democratic society, is a new relationship between creativity and politics. This proposal is articulated out of his rejection of the association between artist and genius or virtuosity, [...] because he ... read more -
11/07/2022
ESSAYS
Our struggle for the acceleration of the end of the world as we know it will include a programming executed from counter-pedagogical notions. It will also contemplate imagination as a strategic field of destruction, resignification and invention situated within our struggle of low intensity and micropolitical scale. read more -
10/04/2022
ESSAYS
The notion of 'public art' understood as a transformative and revolutionary vehicle, at the service of society, is central to understanding his work—his life, as much as his production, is articulated by this precept. read more -
09/05/2022
ESSAYS
To think of Antonio Caro (Bogotá, Colombia, 1950–2021) as a teacher-artist because he gave workshops that he considered part of his oeuvre, makes us neglect or lose sight of the educational potential of the rest of his plastic work. (...) His insistence on distrusting novelty and thinking more of iteration as a model ... read more -
08/26/2022
ESSAYS
It was not a matter of aestheticizing the ruin or regeneration through certain cultural humanism, but rather a form of resistance that paid attention to the life that grows in the interstices of places where destruction seems to be all there is (...) read more -
08/10/2022
ESSAYS
Introduction... emerged in the context of the last post-dictatorship in Argentina as a tool to begin healing the civil trauma of years of human rights violations (...) Resituating this method today could prove interesting for restoring the social and affective bonds that have been highly stressed due to the Covid-19 ... read more -
07/25/2022
ESSAYS
The Schools of A’cani enable us to reimagine the naturalized limits between art, activism, education and what we understand by democratization, cultural rights, social relevance, emancipation, self-determination, solidarity, collaboration, public policy and collective construction. read more -
07/11/2022
ESSAYS
In Colmenárez's work, breaking with the asymmetries of power relationships becomes a recurring sign. The artwork is an excuse for holding a dialogue, an event that will allow the individual to dissolve into the collective: there is communication and communion. read more -
06/13/2022
ESSAYS
Defining herself as "intrinsically an anarchist," her pedagogical practices followed the same direction: they vindicated unrestricted freedom for creation and were based on a "deconditioning" of teaching towards entering "states of invention." read more -
06/06/2022
ESSAYS
That relationship between teaching and art is also apparent in her approach to art history. Far removed from avant-garde positions that suppose a break with the past, Paksa would define artists as “devourers of images” who are able to build upon the appropriation and parodying of elements taken from visual culture. read more -
05/16/2022
ESSAYS
Teaching was the opportunity that Helio Eichbauer seized as a way to reduce his activity as a scenographer, and thereby gain some protection from the adversities of that historical moment while continuing to develop his creative and poetic drive, together with his students. read more -
05/04/2022
ESSAYS
Dialoguing with her texts implies going through fundamental issues to think ourselves, individually and collectively, about the role of women; the ethical and political position of teachers; the implications of valuing the land, the local and the indigenous; immigration; the importance of childhood [...] Such matters ... read more -
04/09/2022
ESSAYS
The school that creates space for improvisation is also a school of subjectivity, of ways of life, of what one feels, of how one expresses what is being lived, and what needs to be transformed so that a life without oppressions can be lived. read more -
04/04/2022
ESSAYS
“Perhaps, among the hundreds who are learning today to work in groups in order to publish, there will emerge those who manage to even the scales between those who speak and those who observe”, Ehrenberg pondered at the end of the same text in which he suggests that educators must lead and accompany the critical ... read more -
03/21/2022
ESSAYS
Schools must be naked, all their walls demolished to keep their structure, leaving only what is essential. They would then be buildings without facades, fully exposed to reality. They would get wet, dirty, and impregnated with their contexts; they would shake without collapsing, they would inhabit experiences that ... read more -
03/07/2022
ESSAYS
The artistic work of Antonieta Sosa has the dialogic mode—expressed or implied—among its frequent resources, with a circulation and dynamic exchange of ideas through which two or more beings acknowledge, identify or confront each other. It is a very personal method towards the progressive constitution of a work and, ... read more -
02/21/2022
ESSAYS
What did the errant, naked teacher bring in his head? A vast educational reform, much greater than the one he had proposed in Caracas before leaving (we will stop at that later), and which also included his years of travel, classes and readings (...) read more