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Catarina Duncan

(Rio de Janeiro, Brazil, 1993) Curator and cultural producer. She works with curatorial projects focused on Latin American cultural practices. Graduated in History of Art at Goldsmiths College (London, 2014). Currently works as curator at Solar dos Abacaxis in Rio de Janeiro. In 2021, she received the fellowship for curatorial research from Patricia Phelps de Cisneros Institute and MoMa with the project Territorial Re-connections. Integrated the curatorial teams for the 32nd Bienal de São Paulo - INCERTEZA VIVA (2016), 36th Panorama of Brazilian art - Sertão at MAM-SP (2019), ‘Pivô Arte e Pesquisa’ (2014 - 2015), Terra Comunal - Marina Abramovic at Sesc Pompéia (2015). Curated the public programs for Cura Bra Cura Té installation by Ernesto Neto at the Pinacoteca (2019), 'Plataforma Crítica Oficina Brennand' at Brennand Institute (2020), Third Paradise - Rebirth Forum by Michelangelo Pistoletto at Serrinha (2020). Represented the program COINCIDÊNCIA of the Pro Helvetia foundation (2017-2020). As independent curator, she developed a series of exhibitions: Jardim Novas Mucosas by Diambe at Quadra Galeria; A Construção (2020) and Somos Muitxs (2018) with Bernardo Mosqueira, and Re-conhecimento (2019) with Denilson Baniwa at Solar dos Abacaxis; dos nossos espaços vazios internos (2019) by Gretta Sarfaty at Central Galeria, and the group show '⦿' (2018) at Galeria Leme, among others.

Guest Scholar 2022―II.